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The Super Bowl Is Problematic. Why Can’t We Look Away?

  • January 31, 2020
  • Sport

CONSIDINE The dearth of country music at halftime is interesting when you consider that the singer most associated with the N.F.L. in recent years has been Carrie Underwood — and before that, Hank Williams Jr. For that reason, I suspect that country music wouldn’t actually be unwelcome by most football fans at halftime. I’m also interested in a reverse question: Why has non-country music always been welcome?

My guess is that with the exception of one Trump-fueled moment in which some conservative fans skipped a game or two, the league knows it has that demographic locked down, no matter who performs at halftime. The billing, then, is a chance for the N.F.L. to snag some extra eyeballs, and pop is a surefire way to do it.

In racial or political terms, I’ll wager many of those fans who objected to Kaepernick’s knee-taking fancy themselves quite open-minded — or at least magnanimously indifferent — regarding the race or style of the performers, same as with the players. If I’m right, then the N.F.L. risks little in ignoring those fans’ musical preferences for 15 minutes. Intolerant people make low-stakes claims to tolerance all the time. But that tolerance reveals its limits when, say, a black man takes a knee.

MORRIS Colin Kaepernick and Michael Bennett and their fellow protesting players knelt for ideals that I, too, believe in. Pleas for justice and equality are controversial coming only from black athletes expected — hired — to run, throw, catch and dunk. But the culture has moved past the protests. Kaepernick still has a sports job of sorts. He works for Nike. Meanwhile, the Super Bowl remains this idyllic vestige of who we thought we were. It’s Americana that like lots of Americana is built on a cemetery of sorts. We flock to it as we do because it’s a spectatorship department store — sports, ads, music.

A lot of us remember the alleged simpler times when it was easier to pretend that entertainment was all it was. On one Sunday, we can pause Everything Else and just enjoy a miraculous helmet catch or a commercial for a job-finding company. It’s also a stable structure. We all know it. We know it will never change and therefore never challenge most people to confront more than their losing team. There’s no M.C. to be urbane or smug or real. Setting aside the violence at its center, it’s safe, a haven from so much. History in the making but also passionately ahistorical. Americana on the one hand, sure. But also just America.

Article source: https://www.nytimes.com/2020/01/30/arts/television/super-bowl-why-watch.html?emc=rss&partner=rss

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