Transport Canada suspicion he couldn’t do it. But Jim Filippone was fervent to fly a helicopter by downtown Vancouver, squeezing between all of a mountainous potion towers on Georgia Street.
After all, a film indispensable it.
He got a OK after plotting it out with his reserve co-ordinator (and wife) Wendy, pledging to fly with dual engines and hang to a yellow line in a center of a road.
Filippone hovered his helicopter only above a travel lamps, zooming adult and down a highway until a cameras got what they needed. He did it again for a Arnold Schwarzenegger film The 6th Day, this time during night with no light.
Filippone’s pointing done him a go-to commander for these low-level helicopter shots. But drones, that can get a same shot during a splinter of a price, have forced a Filippones out of business after some-more than 30 years and 13,800 hours in a air.

Jim Filippone flew helicopters for films and radio shows for some-more than 30 years. You can even mark him in a opening for a aged CBC uncover Danger Bay, for that he once had to enclose this blond wig. (Jim Filippone)
“We’d call adult people, prolongation managers, and we would say, ‘Oh hey do we have any aerials on a show?’ … each time they contend yes, we would have a job. They would sinecure us. But it’s, ‘Oh yeah, we have an aerial though we’re regulating a drone,'” he said.
The integrate worked on the X-Men movies, Tron: Legacy and a aged CBC show Danger Bay, among many others.
“We’ve left into retirement given of this,” Filippone pronounced about a drones bumping out his work.
The worker has stolen gigs and taken a strike on Canada’s tiny though strong pool of film pilots and aerial videographers.
It can fist into parsimonious spaces and get shots a helicopter can’t — quicker, though most setup, and clad with high-quality cameras. There’s also reduction during interest if something goes wrong. Helicopter crashes have killed some-more than 30 people on film and TV sets given 1980, according to Deadline.com.
Chris Bacik, right, runs Sky Eye Media out of his parents’ garage nearby Barrie, Ont. He has flown drones for Hollywood cinema and strike TV shows like Orphan Black and The Handmaid’s Tale. (Haydn Watters/CBC)
But a biggest worker pull might be a cost point. Drones are almost cheaper to fly for film — even when embellished out with imagination equipment.
The cheaper cost has won Chris Bacik a garland of film jobs — he has flown his drones for Hollywood cinema and strike TV shows like Orphan Black and The Handmaid’s Tale.
Here’s what CBC News was quoted for a helicopter film fire with Chanda’s Aerial Camera Operations and a worker film fire with Bacik’s Sky Eye Media.
Helicopter: Chanda pronounced a twin turbine helicopter is indispensable for film-style shoots ($2350/hr). Plus a full day on a camera for prep/install/shoot adds another $5,750.
Drone: Bacik flies with 3 operators (a pilot, camera user and reserve person), charging $1,600 for 8 hours. The let cost for one of Bacik’s mid-sized drones is $1,800/day. Bacik pronounced productions customarily yield their possess camera and lenses, though others lease from him, that costs $1,500-$2,500/day.
“When we get a event to uncover these [to] people, their eyes only light up,” he pronounced of drones.
Bacik runs Sky Eye Media in Midhurst, nearby Barrie, Ont. He works out of his parents’ garage, packaged parsimonious with shelves of drones. Some are as tiny as tubs of margarine, others as large as bureau chairs, with tentacle-like arms to assistance it fly.

The worker can go places and get shots a helicopter can’t, like this one of a male on a backyard rug looking out over a water. (Sky Eye Media)
“Finally there’s been this tipping indicate in final 12 months or so now where we are sharpened twice a week, and now we’ve turn essential and things are only escalating,” he said.
“We’ve really come opposite a integrate of helicopter operators that aren’t as accessible to us given they comprehend yes, we’re here to stay and we are inspiring a approach they do business.”
Still, a helicopter has a advantages.
It can fly faster, longer and aloft than any worker can, means to get those distinguished big-city and towering shots. The helicopter works in any weather, since drones can’t fly in a wind. And some worker pilots fear Transport Canada’s due changes to worker rules, that could moment down on what they fly right now.
The helicopter can fly a lot faster, longer and aloft than a worker can, assisting helicopter cameraman Chris Chanda, left, stay airborne. (Doug Husby/CBC)
All this is assisting helicopter cameraman Chris Chanda stay airborne. He has been filming from above for 23 years, and now runs Aerial Camera Operations.
“From a side of a fence, we consider [drones are] a good tool, though they’re positively not able of a full-on prolongation value we can provide,” he said.
“It’s kind of like giving your child a skateboard and revelation him to go play on a highway.”
But he too admits he’s mislaid some business to drones, something he suspicion would never happen.
Chanda, who runs Aerial Camera Operations, outfits a helicopter with his filming apparatus during a Brampton-Caledon airfield hangar. (Doug Husby/CBC)
As record gets better, attention experts envision it won’t be prolonged before drones can do what helicopters can — with longer and aloft flights and even better, some-more fast aerial shots entrance soon.
“You can’t take it for granted,” pronounced Chanda, who has deliberate adding drones to his fleet. “You positively can’t contend no to advancing technology.”

If we demeanour closely, we can see Filippone during a helm of a helicopter as a attempt is achieved for a ’80s CBC uncover Danger Bay. (Jim Filippone)
Others, like Filippone, wish zero to do with drones. He likens drifting one to personification a video game.
“I’m a misfortune video-game user in a world. We’ll leave those to a kids.”
Article source: http://www.cbc.ca/news/entertainment/helicopter-drone-film-1.4265519?cmp=rss