But these creators are still much less powerful than their reactionary counterparts. Mr. Maza attributes that gap to the fact that while a vast network of well-funded YouTube channels exists to push right-wing views, liberal commentary is still mainly underwritten by major news organizations, which have been slower to embrace the highly opinionated, emotionally charged style of content that works well on YouTube.
“People understand the world through stories and personalities,” he said. “People don’t actually want emotionless, thoughtless, viewpoint-less journalism, which is why no one is a Wolf Blitzer stan.”
In order to reach people on YouTube, Mr. Maza said that the left needs to embrace YouTube’s algorithmically driven ecosystem, which rewards “authentic” and “relatable” creators who can connect emotionally with an audience.
“There is a need for compelling progressive content that gives a young kid on YouTube some sense that there is a worldview and an aesthetic and a vibe that is attractive on the left,” he said.
Mr. Maza’s first video, a five-minute introduction to his channel, hints at how he intends to do that. The video is half political manifesto, half self-deprecating monologue. Playing all three parts himself, he has an imagined conversation with his “left flank,” a hammer-and-sickle socialist, and his “right flank,” a tie-clad centrist, along with his therapist, who warns him that YouTube can transform decent people into “cruel, ego-driven” attention-seekers.
It’s a funny, knowing skit, and it shows how familiar Mr. Maza is with the customs and culture of YouTube. He doesn’t wear a suit or plaster himself with stage makeup. He doesn’t take himself too seriously, or adopt a Walter Cronkite-like pose of objectivity.
Article source: https://www.nytimes.com/2020/02/12/technology/carlos-maza-youtube-vox.html?emc=rss&partner=rss