Searchlight, the Disney-owned art film studio, scored with the summertime horror flick “Ready or Not†($29 million). Taika Waititi’s “JoJo Rabbit,†a Nazi satire, has earned $20 million and could generate another $5 million to $10 million based on its awards fate. But Searchlight had a very quiet year over all. “Lucy in the Sky†($320,000), starring Natalie Portman, was an outright flop. Frequent contributors like Wes Anderson were between films.
Between January and Aug. 25, combined ticket sales for the 20 largest art film distributors — Fox Searchlight, Magnolia and the like — fell 45 percent from the same period last year, according to Box Office Mojo data.
A handful of art house offerings ultimately managed to get noticed, including Lulu Wong’s China-set family drama “The Farewell†($18 million), the elevated A24 horror film “Midsommar†($27 million), the quirky Huck Finn-style tale “The Peanut Butter Falcon†($21 million) and Bong Joon Ho’s genre-defying “Parasite†($21 million).
For the third year running, Focus Features topped the specialty box office. The Universal Pictures subsidiary saw films like “Downton Abbey†($97 million) and “Harriet†($42 million) over-perform in ways that seemed to startle even the studio.
“We always thought there would be an excited core audience for ‘Harriet,’ those who have a natural interest in an American icon who shockingly had never had her life story told onscreen,†said Peter Kujawski, the chairman of Focus Features. “But it crossed well past that core audience and broke into the broader culture.â€
“Harriet,†directed by Kasi Lemmons, may also figure into the coming Oscar race. Cynthia Erivo, who stars in the film as Harriet Tubman, is a favorite for a best actress nomination.
Article source: https://www.nytimes.com/2019/12/22/movies/star-wars-box-office.html?emc=rss&partner=rss