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How Putting on a Mask Raised Naomi Osaka’s Voice

  • December 16, 2020
  • Sport

With Osaka cut off from IRL social touchstones and without access to her day job, her TikTok, Instagram, Facebook, Twitter and other platforms provided the most candid way for her to speak up as she had pledged. When she tweeted her support for the Black Lives Matter movement in June and encouraged participation in a B.L.M. protest in Osaka, Japan, she faced social media trolls who called her a terrorist and a widespread backlash from Japanese people who viewed the issue as an outsider’s cause.

“I think for people in America, the B.L.M. movement is something we have all started to talk about and talk about openly,” Osaka said, “yet globally, it’s not as common, and I hope that changed.”

The cultural anthropologist John G. Russell sees Osaka’s emergence in Japan as a significant stride given the country’s long history of touting its monoculture, but one that has opened her and her sponsors up to racist vitriol from some people who view mixed-race Japanese figures as a threat to the national identity.

The notoriously savage Twitter user Yu Darvish, a Major League Baseball pitcher who is Japanese and Iranian, and the N.B.A. star Rui Hachimura (Japanese and Beninese) have also used their platforms to clap back and to promote social justice.

“They are stepping up to address issues that the Japanese media would prefer not to confront,” Russell said in an email interview, cautioning that though their efforts have increased visibility in Japan, their message “may serve to reinforce the view that hafu are themselves outsiders and not full members of Japanese society.” (“Hafu” is a term used for Japanese people of mixed-race backgrounds.)

The day before Osaka played her first match at the Western Southern Open in August, Jacob Blake was shot in the back by the police in Kenosha, Wis.

By her quarterfinal match, renewed protests had reached American pro sports, with teams in the N.B.A., the W.N.B.A. and M.L.B. opting to stop competing on Aug. 26.

Article source: https://www.nytimes.com/2020/12/16/sports/tennis/naomi-osaka-protests-open.html

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