On Saturday night, Kenneth Branagh’s semi-autobiographical crowd-pleaser “Belfast” took home the coveted People’s Choice Award at the Toronto International Film Festival. The film, which follows a boy (Jude Hill) and his family in tumultuous 1960s Ireland, boasts 89% positive reviews on Rotten Tomatoes, and features an all-star cast led by Jamie Dornan, Judi Dench, Ciarán Hinds and “Outlander” breakout Caitriona Balfe.
In the last decade, nine of the 10 winners of TIFF’s audience-voted top prize have received nominations for best picture at the Oscars. Three have gone on to win, including last year’s “Nomadland.”
With its latest victory and warm reception at Telluride Film Festival last month, “Belfast” is now on the exact same upward trajectory as two other heartwarming best picture winners: “Slumdog Millionaire” and “The King’s Speech,” both of which also world-premiered at Telluride and clinched TIFF’s top award, before repeating at Oscar.
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With the Oscars ceremony still more than six months away on March 27, 2022, there’s always a fear of peaking too early in the season. (“A Star is Born,” anyone?) But for now, “Belfast” has all the momentum going into its Nov. 12 release in theaters.
The Toronto festival was an otherwise muted affair: low on star power at its in-person screenings and offering limited film selections for journalists covering the fest virtually. But it did help bring some key Oscar races into focus.
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“The Eyes of Tammy Faye” (now in theaters) seems like the type of movie that’s reverse-engineered to win Oscars. It stars a well-respected actor (Jessica Chastain) playing a famous person (televangelist Tammy Faye Bakker), caked in heavy makeup and donning a litany of wigs as she sings, cries and pops pills. Although the film can never quite decide whether it’s laughing at or with its eccentric subject, Chastain disappears into the role, nailing not only Tammy’s Minnesota accent and high-pitched voice, but conveying the Christian TV host’s infectious enthusiasm and enormous empathy for other people.
It’s a convincing, at times heartbreaking portrayal of a misunderstood figure, and one of the rare cases where heavy prosthetics don’t distract from the performance at hand. Although critics are mixed on the film itself (67% positive reviews on Rotten Tomatoes), they’re near-unanimous in their praise of Chastain. And with two acting Oscar nominations already under her belt for 2011’s “The Help” and 2012’s “Zero Dark Thirty,” academy voters may think that Chastain, with her ardent devotion to the craft of acting, is overdue for a win.
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Ben Platt’s road to EGOT just hit a speedbump. The golden-voiced actor won Emmy, Grammy and Tony awards for his emotionally naked turn in Broadway musical “Dear Evan Hansen,” playing an awkward teen caught in a web of lies after a classmate’s suicide. But any hopes of completing his awards quadfecta dissipated following brutal reviews out the film’s opening night debut, with some critics calling Platt, who is 27, “comically miscast” and too “distracting” to convincingly portray a high-schooler. The musical drama has an unfavorable 48% Rotten Tomatoes score, with other critics dinging the story’s queasy morals.
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With Cannes, Venice, Telluride and Toronto festivals now in the rearview, many of this year’s mostly anticipated titles have already screened for audiences. But there are still plenty more unseen films coming down the pipeline. Steven Spielberg’s “West Side Story” (in theaters Dec. 10) and Guillermo del Toro’s “Nightmare Alley” (Dec. 17) debuted new trailers to great enthusiasm online this week, as did Adam McKay’s “Don’t Look Up” (Dec. 10) the week before.
Denzel Washington and Frances McDormand as Lord and Lady Macbeth, respectively, and is directed by Joel Coen (of the Coen Brothers).Kristen Stewart vaults to the front of the best-actress race as Princess Diana