All the best films we saw at Toronto Film Festival, ranked (including 'Marriage Story')

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2019’s fall movie lineup ranges from horror (“It: Chapter Two”) to supervillains (“Joker”), and we can hardly wait.
USA TODAY

TORONTO – The poutine may be warm north of the border, but it’s the films that are really hot this time of year.

Toronto International Film Festival is in full swing with a huge crop of big movies, from the much-anticipated “Joker” and Tom Hanks as Fred Rogers in “A Beautiful Day in the Neighborhood” to Taika Waititi’s anti-hate satire “Jojo Rabbit” and the Judy Garland biopic “Judy” with Renee Zellweger.

Between all the screenings, interviews and the occasional coffee, we’re going to be keeping folks up to date with reactions on all the big movies we’re seeing. (And because we like to rank things, we’re doing that, too.) So here’s the best stuff we’ve seen at TIFF so far, and keep coming back as we update throughout the festival:

10. ‘The Personal History of David Copperfield’

Now this is how you get kids into Charles Dickens, with slapstick comedy, a modern sense of humor, endless zingers and Tilda Swinton mad at donkeys. The delightful and often goofy take on the classic Victorian novel has its spunky title character (Dev Patel) tell his charming and embattled story, from having nothing to a little something, rinse and repeat, while interacting with kooky sorts like his aunt Betsey (Swinton), kite-loving and off-kilter chap Mr. Dick (Hugh Laurie) and dog-loving dim love Dora (Morfydd Clark). Director Armando Iannucci’s version is also surprisingly touching, keeping you chuckling while stealthily warming your heart with Master David’s class-breaking shenanigans.

9. ‘Just Mercy’

Director Destin Daniel Cretton’s solid legal drama (in select theaters Dec. 25) doesn’t do anything particularly innovative but then again, with this cast and such a rousing, inspirational real-life story, it doesn’t really need to. Michael B. Jordan proves his star power yet again as a young Harvard-school lawyer who heads to Alabama in the late 1980s and helps out death-row inmates such as Walter McMillian (Jamie Foxx), wrongfully convicted for the murder of an 18-year-old white girl. Just when you think it’s predictable, some emotionally brutal scenes keep you hooked into the inequality of the era. Brie Larson gets a meaty role as another legal eagle and Foxx turns in a stellar performance, as does Rob Morgan, playing a troubled war veteran with an execution date.

8. ‘A Beautiful Day in the Neighborhood’

Tom Hanks wears the sweater and inviting smile of Mr. Rogers well in director Marielle Heller’s super-sweet and interesting drama (in theaters Nov. 22). A cynical journalist (Matthew Rhys) is tasked with writing a profile of Rogers, though it’s the iconic kids’ TV host who turns the tables and gets the reporter to reveal his own repressed issues. “A Beautiful Day” is very meta in its structure – it’s pretty much one long episode of Rogers’ TV show – and the comedic vibe at times takes away from the movie’s overall poignancy. But the rapport between the two leads is amazing, and Hanks is all charm and heart – just like the real Mr. Rogers.

7. ‘Honey Boy’

We’re in the middle of the Shiassance and for anyone who’s paid attention to Shia LaBeouf’s tumultuous Hollywood career, “Honey Boy” (in select theaters Nov. 8), which he co-wrote, is an intriguing, autobiographical character study. Shia – or in this case, Otis – is seen as a “Transformers”-era malcontent (Lucas Hedges) forced to go to rehab to deal with PTSD from his crazy childhood. In parallel fashion, the film also shows Otis as a child star (Noah Jupe) working on a TV show and living in a rundown motel with his abusive father (LaBeouf). Directed by Alma Har’el, the film digs into the way we lie to ourselves and others around us and features strong showings from Jupe, Hedges and especially LaBeouf. Between this and “The Peanut Butter Falcon,” he’s back, y’all.

6. ‘Pain and Glory’

Those wondering when the heck Antonio Banderas will finally nab an Oscar nomination should pay attention, because this might be his best chance yet. In Pedro Almodovar’s Spanish drama (in select theaters Oct. 4), Banderas is a world-renowned director in the twilight of his career, facing chronic physical anguish as one of his best-loved works is getting a high-profile re-release. The occasion leads him to quash a 30-year-old feud with the film’s star (and try out heroin), reconnect with an old lover and also flash back to formative childhood experiences and time spent with his loving mother (Penelope Cruz). Banderas lends gravitas, humor and grace to one of his greatest roles ever.

5. ‘The Report’

The CIA’s torture practices get the “Spotlight” treatment with director Scott Z. Burns’ exceptional and rather nonpartisan look at a questionable period in government history (in theaters Nov. 15). Adam Driver stars as Daniel Jones, a hard-driving staffer for Sen. Dianne Feinstein (Annette Bening) tasked with investigating the morality and legality of “enhanced interrogation techniques” used in the wake of 9/11, getting stonewalled to get the report done and then dealing with powerful figures in Washington who don’t want it to see the light of day. While the supporting cast is full of standouts, from Bening to Jon Hamm (as chief of staff Denis McDonough), Driver and his character’s dogged pursuit of the truth get all A’s on the “Report” card.

4. ‘Hustlers’

Writer/director Lorene Scafaria’s wildly enjoyable crime dramedy (in theaters Friday) finally uses all of Jennifer Lopez’s skills – including, apparently, pole dancing. The multi-hyphenate star plays the leader of a group of ambitious strippers (including Constance Wu, Lili Reinhart and Keke Palmer) who turn Robin Hood on their Wall Street clientele, fleecing the rich jerks for all they’re worth in order to help each other and their families out. Lopez and Wu make quite a duo as two friends who develop a close relationship that’s tested by greed and questionable decision-making, and their girl gang’s misadventures are as insane as their fashion taste.

3. ‘Sound of Metal’

This one rocks unlike everything else at the festival. With an awesome use of sound design, director Darius Marder lets an audience experience what it’s like for a hard-rock drummer (Riz Ahmed) to lose his hearing after being exposed to constant noise. The musician is forced to confront being suddenly deaf, what it means for his relationship with his girlfriend/bandmate (Olivia Cooke) and how he needs to cope to maintain a not revert to previous addictions. Ahmed is fantastic at communicating a wide range of emotions during his character’s odyssey, from absolute anger to calm optimism, and the film itself is profound, innovative, heartbreaking, uplifting and even a little breathtaking.

2. ‘Jojo Rabbit’

Director Taika Waititi promised an “anti-hate” satire (in theaters Oct. 18), and that’s exactly what “Jojo” is. Set in the latter days of World War II Germany, 10-year-old Jojo (Roman Griffin Davis) is all about being a Nazi and his best pal is imaginary friend Adolf Hitler (Waititi). His views begins to change when he discovers his mom (Scarlett Johansson) is letting a Jewish girl (Thomasin McKenzie) hide in their home, and as Jojo grows closer to her, Adolf shifts from an odd goofball to a petty guy more like the Hitler we know from history. Its humor and subject matter will be polarizing – there’s archival footage of legions doing the “Heil Hitler” salute set to a German-language version of “I Want to Hold Your Hand” – but the must-watch movie has a lot to say about love and hate.

1. ‘Marriage Story’

There’s a good chance writer/director Noah Baumbach’s superb, tear-jerking Netflix drama (in select theaters Nov. 6, on Netflix Dec. 6) is going to be talked about all through the Oscar race, with Adam Driver and Scarlett Johansson never better as a married couple going through a divorce. Nicole (Johansson) is an actress who snagged a TV pilot and wants to move their son to L.A. with her. Charlie (Driver) wants the kid to stay in New York so he can direct plays. Hard feelings and old memories get stirred up as lawyers get involved, you see how they fell in love and where it all fell apart, and intense scenes with both leads feature fights with devastating crescendos that break their – and your – hearts.  

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