After he completes a drawing, he hurries to find a place where he can sketch a finished piece; sometimes, he’s chased divided by a fast rising tide.
“Photography is unequivocally a second artwork,” he said. “I try to tell another story …Â sometimes usually focusing on a fact of a large drawing.”
It can take hours for a high waves to arise completely, so Dougados rarely stays behind to watch it erase his work. He will stay, however, if a waves demeanour good adequate to surf.
He infrequently wishes his work “lived a bit longer” so that he could share it with some-more people, but, he says, “it’s partial of a process, and we have another vacant board a subsequent day.”
Dougados intends to find some-more canvases around a universe where some-more people can knowledge his drawings and a healthy beauty that surrounds them.
“I try to constraint nature’s passing beauty,” he said. “[It’s] a geometry and communication that creates us stop and simulate on a sorcery of a moment, our attribute with nature, and a really hint of the beings.”
Scroll to see some-more of Sam Dougados’s strand design or revisit his website here