
The latest film in Warner Bros.’ DC Extended Universe exceeded expectations during a box office, bringing in an estimated $100.5 million for a opening in North America this weekend.
That creates a superhero film starring Gal Gadot and destined by Patty Jenkins a biggest opening ever for a womanlike director. The prior record holder, “Fifty Shades of Grey,” brought in $85.2 million in 2015.
“Wonder Woman” is a initial vital superhero film to be led by a woman, and it was women who helped a film to a tip of a box bureau this weekend.
More than half, 52%, of a film’s assembly this weekend were womanlike — a poignant series for a genre that has been dominated by men.
The box bureau transport for a womanlike superhero idol is smaller than a box bureau numbers of some of her caped masculine counterparts. But a opening weekend for “Wonder Woman” is an feat for womanlike filmmakers and for a industry, says Paul Dergarabedian, comparison media researcher during comScore (SCOR).
“Any absurd idea that a lady might not be matched to approach a large bill superhero film is hopefully once and for all shattered,” he pronounced

Related: How ‘Wonder Woman’ could change Hollywood
Dergarabedian pronounced several factors contributed to a clever weekend performance, including a good recover date, ideal casting and widespread acclaim.
The film, that had a prolongation bill of $150 million, garnered an “A” CinemaScore from audiences and a 93% measure on examination site Rotten Tomatoes, that creates it one of a best-reviewed superhero cinema of all time.
“Wonder Woman” also acted as a shot in a arm to Warner Bros.’ critically beleaguered DC superhero code — that includes 3 panned blockbusters, 2013’s “Man of Steel,” 2016’s “Batman v Superman: Dawn of Justice” and 2016’s “Suicide Squad” — as good as a indolent summer film deteriorate that was down scarcely 9% from final year going into a weekend.
(Warner Bros., like CNN, is owned by Time Warner (TWX))
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