To produce her ink-and-watercolor sketches, Ms. Behringer, the court artist, looks for striking visual details, she said, like the thick binders of exhibits and expressive hand gestures from Ms. Holmes’s main lawyer, Lance Wade.
Jane Sinense, 66, the other court artist, said she — like everyone — was looking to Ms. Holmes.
“She’s so hard to read because there’s nothing there,” Ms. Sinense said, adding that Ms. Holmes is easy to draw because she barely moves. “She never gives a clue.”
Ms. Holmes, who is always at the front with at least three lawyers, has traded her signature black turtleneck for more traditional business clothing: a short blazer over a solid-colored dress, or a blouse and a skirt with a medical mask to match.
Directly behind her, in a gallery row reserved for the defense, are family members. Her mother, Noel Holmes, who often walks into the courtroom holding her daughter’s hand, is a constant companion. Elizabeth Holmes’s partner, Billy Evans, joins some days as well.
Article source: https://www.nytimes.com/2021/10/11/technology/elizabeth-holmes-theranos-courtroom.html